The Monologue I Never Gave
Villain
DISPATCHES FROM PURGATORY
Valkyrie
10/24/20253 min read


The Monologue I Never Gave
There are speeches I rehearsed only in the marrow, never aloud. The kind of words that sit heavy in the throat, tasting of iron and roses. For years, I let them rot quietly inside me—too jagged for daylight, too honest for polite company.
We are told to prune ourselves into saints, to shave off every errant thorn until only goodness remains. But goodness is brittle. It fractures under the weight of real life. The truth is this: I found my freedom not in virtue, but in villainy. Not in the chorus of applause, but in the shadows where my unspoken words finally learned to breathe.
The Awakening of Darkness Within
It did not arrive as lightning or thunder, but as a subtle shift in the air. One day the world stopped being black-and-white, and suddenly—terribly, beautifully—it bled into color. My darkness stretched, yawned, and reminded me it had always been there.
The signs were small: the silent rebellions, the secret envies, the midnight desires I was told to banish. They gathered like crows on a power line until I could no longer pretend.
When the shadows became my strength, I did not fall into evil. I fell into myself. I fused with the parts I had locked away. And there—unholy, imperfect, radiant—I found resilience.
Heroes: The Greatest Lie Ever Told
We are raised on the myth of the flawless hero: the shining savior, the moral paragon. What a tedious fiction. Scratch their gold leaf and you’ll see the cracks—anger, cruelty, arrogance. Alexander the Great, lionized in marble, was also a butcher. Even our modern icons, airbrushed into godhood, collapse under the weight of their own contradictions.
Virtue performed endlessly is exhausting theater. The mask slips, and beneath it we are raw, complex, contradictory creatures. Why worship a false purity when villainy offers the truth: to be whole, jagged edges and all?
Why the Villain Holds the Keys to Freedom
To embrace your villainy is not to burn the world, but to refuse its chains. It is to say: I will not mutilate myself to fit your altar of virtue. I will not starve my hunger to feed your illusions.
The villain does not seek permission. She does not ask for applause. She simply is—sharp, inconvenient, alive. That is the liberation: authenticity without apology.
The Untapped Power of Shadow
What we call weakness is often just unclaimed power. Rage becomes fire, grief becomes depth, longing becomes art. The darker currents, once harnessed, are not curses—they are weapons.
History is littered with the names of those branded as villains before the world caught up to them. Revolutionaries, witches, outcasts. Trouble-makers turned prophets. Yesterday’s heretic becomes tomorrow’s saint.
The line between villain and visionary is written only by whoever holds the quill.
The Villainess Archetype: Feminine Power Unleashed
The “good girl” was always a cage. The villainess—oh, she is the one who knew the lock could be picked. She has teeth, wit, ambition. She is maligned because she cannot be controlled.
Cruella. Maleficent. Medusa. These are not cautionary tales; they are mirrors. Women who refused to bow, recast as monsters so the world could feel safe. But the monsters are ours. They are us. And we are glorious.
The Monologues I Swallowed
Silence, too, is a villain. The words I never said became ghosts, rattling inside me. Rumi was right: the wound is where the light enters. My silence festered until I realized even wounds can sharpen into weapons.
To speak at last is to betray the script society handed me—and to finally, gloriously, improvise my own.
Rewriting the Story: Becoming the Antihero
The journey is not from villain to saint, but from silence to antihero. To live in the gray, in the messy in-between, is where true sovereignty resides. The antihero is flawed, conflicted, alive—and far more human than any marble saint.
The mask of goodness has slipped. I have no desire to pick it up again.
The Monologue I Am Finally Giving
So here it is, unvarnished: I am not your heroine. I am not here to soothe or to save. I am my own villain, my own antihero, my own mythology.
And there is power—raw, intoxicating power—in no longer performing goodness for an audience that would rather see me gagged than free.
This is the speech I never gave. The one I am finally delivering. Not to ask for your approval, but to remind you of your own shadows.
Embrace them. They are waiting.
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